I’ve never been to Monterey, though I’d love to go there, but Eric Burdon and the Animals’ classic description of the Monterey Pop Festival has been playing in my head for days. That’s because I finally let myself jump with both feet into On the Road with Janis Joplin, one of my Christmas presents from John.
It’s super fabulous if you’re a Janis fan – and, really, anyone who enjoys reading history and about pop culture should enjoy it. OTRWJJ is no adequately written lightweight memoir; au contraire, this book is a literary delight. John Byrne Cooke, the multi-talented author (he shot most of the photos and also worked on the filming of Monterey Pop, the excellent documentary, among other accomplishments), is a Harvard graduate and excellent writer, as well he should be as the son of well-known British journalist Alastair Cooke and the great-grandnephew of Ralph Waldo Emerson on his mother’s side.
That’s plenty to give him literary cred. But most importantly for this book, he was Janis Joplin’s road manager from shortly after she played the pop festival with Big Brother and the Holding Company until her much too youthful death – a gig that couldn’t have been easy.
For whatever reason, I was mildly (possibly a lot-ly) obsessed with the Monterey Pop Festival as a kid – I was 11 when it happened, but it just seemed so fantastic and fantastical that I was and always have been drawn to anything about it. I got The Animals’ 45 as soon as it came out and played it over and over. So I was in a literary swoon reading Cooke’s descriptions of the event, including the logistics, the crowd, the performances, even the newspaper reviews.
I’d read some nugget aloud to John from the treadmill (where I do lots of my reading) every time he came within earshot. (Side note: I know I drive John crazy at times, but my Myers-Briggs personality inventory says I can’t help sharing things I’m excited about.)
(Side-side note: I was tickled to read in her recent Rolling Stone cover story that my girl Stevie Nicks was reading OTRWJJ, too.)
This is the third book in a reading cycle of sorts. One of the books I took on our recent trip to Washington, a gift from my excellent friend Susan Garner, who thought I’d like it after hearing about it on NPR, is Greil Marcus’s History of Rock ’n‘ Roll in Ten Songs.
Was she ever right! I read the whole book on the return trip. This is not your standard R&R fare – Marcus takes readers on many side roads, tangents and flights of fancy as he discusses the music we love through some of the more obscure songs in the genre.
If you’re serious about music and like books that don’t walk the beaten path, I highly recommend it. I found myself at times thinking of Sarah Vowell’s books, with their sidetracks and tangents.
As soon as we got home I started in on Telegraph Avenue by Michael Chabon. If you love Chabon’s writing, you’ll enjoy this book. If you’d love a good, quirky story set in and around an Oakland record store (vinyl, not CDs) – with midwifery, family tensions and coming of age themes – then you’ll enjoy it, too. We’re talking literary fiction, not pop fiction, but Telegraph Avenue is easy to read and hard to put down. And it’s nowhere near Chabon’s best work.
I was thinking today that perhaps we should have named Zuzu “Shadow” or “Curious Georgeanne.” Wherever you are, there she is, and whatever you’re doing, her nose is in it. She’s precious and has an exuberance for life, but, dang, she can be an obstacle.
But look at that face.
One last note about the damned shower and this will be the end of it, I promise. First, I moved all my stuff back downstairs and took a heavenly debut shower today. Ah, the pleasure of not having to stand on a stool to get wet. It’s just my size, has nice water pressure and the river rock floor is like a foot massage.
So, ultimately, whatever. As Tom said, it’s the little things.
But the “grout” is definitely more concrete than grout – we just can’t figure out what those guys were thinking/doing/hoping to accomplish. I’ve a bit of trepidation over how it will hold up, since it won’t take the sealer (even though said sealer is made for grout OR concrete – but evidently not a mix of the two). And, just to show that I’m not an insane woman, as John said I might appear, one last photo to show where he had to patch some areas with the grout we chose.
The chosen color was “Dark Taupe.” We’ll live with “Driveway Gray,” if it holds together. Fingers crossed.